COLUMBUS, Ohio — The Wexner Center for the Arts is one of those buildings that seems to betray a desire on the part of its creators to force a consideration of the space along with everything on display within it. Largely rejecting the conventional layout of closed-off cubes, the building hosts a string of galleries that feature high-vaulted ceilings, acute angles, and odd segues facilitated by little interior staircases. Running the length of these galleries is a sloping sort of gangway that gradually brings the visitor into the largest exhibition spaces and, combined with glassed-in ceiling and window walls, rather gives one the feeling of being on a cruise ship — especially on an appropriately dark and stormy night like the one that witnessed the opening of Gray Matters, the maiden voyage of newly appointed Senior Curator Michael Goodson.
Goodson chose a simple formal conceit for Gray Matters: It is a group show featuring 37 artists working almost exclusively in shades of gray. Considering that the show was both a rigorous exercise in finding balance among so many monochrome visions, as well as an introduction-by-fire to the unusual gallery spaces newly under his purview, Goodson turned out a dazzling exhibition.