September Sourcebook
Stuff I Did This Summer
It’s back-to-school time, which means we’re all going to have to submit our reports on what we did this summer. Aside from garden stuff and learning different ways to use sourdough starter to make an array of breakfast baked goods — and watching LOTS of Netflix and listening to LOTS […]
“Immigrant Song” (2020)
Taking a moment to celebrate the completion of a piece I started on New Year’s Day of this year. The buffalo hoop actually became its own separate thing, one of several pieces I completed concurrently with this one. It seems to be my way to start a lot of pieces […]
“Zohar Studios: The Lost Years” by Stephen Berkman @ Hyperallergic
The perception of photography as a documental form is based on a simple premise: you cannot photograph something that isn’t there. In his latest project, photographer Stephen Berkman turns this idea on its head by claiming to document what is no longer there … and maybe what never was. On […]
The Ethics of Examining the Swastika @ Hyperallergic
Steven Heller opens his latest treatise, The Swastika and Symbols of Hate: Extremist Iconography Today (2019, Allworth Press) by establishing the symbol now associated with Nazis as a “visual obscenity.” This acknowledgement serves as a framework for understanding the over 200-page exploration that follows, but comes 10 pages into the book, […]
Microinterview with Kristen Gallerneaux @ The Believer Issue #131
Kristen Gallerneaux is the curator of communications and information technology at the Henry Ford Museum, in Dearborn, Michigan. Of her work, Sarah Rose Sharp wrote the following: Over the years, Gallerneaux has been engaged in prodigious research, often in connection to objects in the Henry Ford Museum’s massive and highly […]
May Sourcebook
“soft powers” at the Arab American National Museum @ Hyperallergic
DEARBORN, Michigan — Yemeni-American artist Yasmine Nasser Diaz has been playing with the intimacy of bedroom installations for some time now. soft powers, her first solo museum exhibition, at the Arab American National Museum in Dearborn — a part of the Detroit metropolitan area that is home to the largest […]
“Path to Paradise” at University of Rochester’s Memorial Art Gallery @ Hyperallergic
ROCHESTER, New York — Judith Schaechter’s stained glass works reach so far in different directions that trying to classify them becomes a taxonomy problem. Her medium, techniques, and references are deeply rooted in Medieval and Renaissance art, but her execution, agenda, and subject matter are unusual for stained glass. Her […]
House Calls: Studio Visit with U-M Institute for the Humanities
I was so honored to be the inaugural studio visit for the House Calls series with the U-M Institute for the Humanities. This amazing combination of thought leadership and genuine care for artists is just one of the reasons I’m excited to show work there in the Fall. Here’s my […]