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Sarah Sharp

“Fauxliage” book review @ Hyperallergic

As early as the introduction of railroads and the telegraph system, the Western landscape has struggled with the aesthetics of convenience. From commercial interests like strip malls and billboards, to national systems like highways and telephone wires, to individual interventions like graffiti and public sculpture, the definition of “eyesore” is […]

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“Layers of Complexity” on Judith Schaechter @ Adobe Blog

Evidence of multimedia artist Judith Schaechter’s decades-long relationship with computer-assisted design tools might be hard to pinpoint. Her stained-glass compositions are ornate, wildly imaginative, and intricately hand-detailed. Where the physical ends and the digital begins only adds to the dreamlike, ethereal quality of her work—an update to the old-world conventions […]

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“Raggin’ On: The Art of Aminah Robinson” at Columbus Museum of Art @ Hyperallergic

COLUMBUS, OH — The Yoruba philosophy of ase or ashe (fromàṣẹ) speaks to a way of life with specific spiritual and social constructs, but also has a particular influence on Yoruba artmaking. Aside from the precise rituals associated with deities, there is a general notion of piece-work — countless individual […]

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House Calls follow-up, and artist talk for “Results or Roses” @ UMIH

Do you love to see me talk out my face about my art? YOU’RE IN LUCK!! Debuting to day, a follow up to my Spring House Call with Amanda Krugliak, brialliant person and Director of the University of Michigan Institute for the Humanities Gallery, wherein we discuss my show, Results […]

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“Objects: USA 2020” @ Hyperallergic

50 years is an aeon in the art world, and a powerful increment of time by which to mark change in contemporary ideas. The book Objects: USA 2020 (The Monacelli Press, 2020) seeks just such a reckoning, by first revisiting and recapping the influential exhibition, Objects: USA, presented in 1969 at […]

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